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A Memoir of WS Rendra Willibrordus Surendra Broto Rendra, known as WS Rendra was born in Solo on November 7, 1935. He was a poet, writer, dramatist, cultural activist, and theater director. He was one of the most talented artist and often called "teh peacock" by the press/ Rendra studied at the American Academy of Dramatic Arts, the same school as Marlon Brando, the greatest movie actor of all time. After he graduated, he returned to Indonesia in 1968, and he founded Bengkel Teater (Theater Workshop) in Yogyakarta. The group quickly astonished audiences with works that were artistically experimental. rendra rose to fame as a pote in the 1950's. He is also credited as the man who brought modern Indonesian Theater to its maturity through his experimental works with Bengkel Teater . Rendra brought traditional expressions into modern context. In 1969, he created a series of dramas without any dialogues where actors employed their bodies and simple sound such as bip bop, zzzz, adn rambate rata-rata . The journalist poet Gunawan Mohamad dubbed these experimental performances as a "mini-word theater." Rendra died at the age of 73, but teh remained he most influential poet in the country. How did Bengkel Theater amaze their fans?

A Memoir of WS Rendra

Willibrordus Surendra Broto Rendra, known as WS Rendra was born in Solo on November 7, 1935. He was a poet, writer, dramatist, cultural activist, and theater director. He was one of the most talented artist and often called "teh peacock" by the press/

Rendra studied at the American Academy of Dramatic Arts, the same school as Marlon Brando, the greatest movie actor of all time. After he graduated, he returned to Indonesia in 1968, and he founded Bengkel Teater (Theater Workshop) in Yogyakarta. The group quickly astonished audiences with works that were artistically experimental. rendra rose to fame as a pote in the 1950's. He is also credited as the man who brought modern Indonesian Theater to its maturity through his experimental works with Bengkel Teater. Rendra brought traditional expressions into modern context.

In 1969, he created a series of dramas without any dialogues where actors employed their bodies and simple sound such as bip bop, zzzz, adn rambate rata-rata. The journalist poet Gunawan Mohamad dubbed these experimental performances as a "mini-word theater."

Rendra died at the age of 73, but teh remained he most influential poet in the country.

How did Bengkel Theater amaze their fans?

  1. They created up to date art work

  2. They introduced a new drama workshop

  3. They changed traditional theater into modern one

  4. They performed artiscally experimental works.

  5. They performed modern expressions to the audience.

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M. Ardini

Master Teacher

Mahasiswa/Alumni Universitas Gadjah Mada

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Pembahasan

Berdasarkan kalimat “ The group quickly astonished audiences with works that were artistically experimental ” yang terdapat pada kalimat ke-3 di paragraf ke-2, dapat diketahui bahwa kelompok Bengkel Teater dengan cepat membuat penonton takjub dengan hasil karya yang sarat pengalaman artistik sehingga pilihan jawaban (D) adalah yang paling tepat.

Berdasarkan kalimat “The group quickly astonished audiences with works that were artistically experimental” yang terdapat pada kalimat ke-3 di paragraf ke-2, dapat diketahui bahwa kelompok Bengkel Teater dengan cepat membuat penonton takjub dengan hasil karya yang sarat pengalaman artistik sehingga pilihan jawaban (D) adalah yang paling tepat.

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