The preparation of these films, follows a similar ...

Question

The preparation of these films, follows a similar process. First comes the story, plot, action, or situational idea, which may be a written treatment with or without supporting sketches. It describes the continuity of what it is proposed should take place on the screen, the nature of the cartoon or puppet characters, the graphic stylization of the film as a whole, and similar considerations. Such a treatment perhaps very brief, precedes any fuller scripting or other elaboration that may take place.

Since visual emphasis is the key to animation, and sound its close counterpart, the sooner ideas are translated into pictures the better. The "storyboard" provides the continuity of the action, which is worked out scene by scene simultaneously with the animation script. In the storyboard the story is told and to some extent graphically styled in a succession of key sketches with captions and fragments of dialogue much like a cartoon strip but with much fuller treatment

Meanwhile, an animation director is also preparing modeling drawings for the principal characters and drawings establishing the backgrounds, or settings, for the film. These begin to indicate the general graphic style and, when- colour is involved, the colour scheme and decor to be used. The modeling drawings must indicate the nature and temperament of the characters as well as their appearance when seen from a variety of angles and using a number of characteristic gestures. *These* will act as guides for the key animators, who with their assistants must bring the figures to dramatic life through the succession of final drawings created on the drawing board.

Animated films are, in effect, choreographed; since mobility involves time, the movements must be exactly timed and so deployed through the right number of successive drawings, like notes in music deployed through bars in a score. When the characters speak or sing, their lip movements must be synchronized with the words they appear to utter. When sound tracks, both dialogue and music, are prerecorded, the animators have an exact time scheme to follow; if the tracks are not prerecorded, then the "scoring" of the action will control the subsequent timing of the speech and music at recording stage. The timing in either case is predetermined on paper in a workbook, which grades the progression of the animators' drawings frame by frame with the same precision as a musical score. A similar control in the form of a time chart may be created by the director as a guide for the composer. A third control, the socalled dope sheet or camera exposure chart, guides the rostrum cameraman in the frame-by-frame setups and sequence of eels or backgrounds.

Based on the text, the process of animated film's preparation follows which of the following sequence?
A. Choosing the animation directors, creating an outline of the story, making storyboard, guiding a team of animators with modeling drawings, recording the sound for the film, fitting the recording with time charts.
B. Making the outline of the story, translating the outline into storyboard, preparing the modeling drawings, and making time 'scoring', time chart, and camera exposure chart.
C. Determining the story and characters, making a picture out of the ideas, recording the music and dialogue, and preparing the modeling drawings. 
D. Determining the character's modeling drawings, making an outline of the story, starting to draw all of the scenes, and recording the sound.
E. Making the comic version of the animation, informing animators to follow the guides in the form of comic, and choreographing the comic

N. Mulyandini · Accepted Answer

Hai, Mawar. Kakak bantu jawab ya.

Jawaban yang benar adalah B. Making the outline of the story, translating the outline into storyboard, preparing the modeling drawings, and making time 'scoring', time chart, and camera exposure chart.

Soal menanyakan urutan proses persiapan film animasi yang benar sesuai dengan teks yang diberikan.

Berdasarkan kalimat "The preparation of these films, follows a similar process." dapat diketahui bahwa teks menjelaskan proses persiapan film animasi. Agar mendapatkan jawaban yang benar, kita perlu memahami tahapan yang terdapat pada setiap paragraf.

Pada paragraf satu terdapat informasi " First comes the story, plot, action, or situational idea, which may be a written treatment with or without supporting sketches." (Pertama adalah cerita, plot, tindakan, atau ide situasional, yang mungkin pengerjaannya tertulis dengan atau tanpa sketsa pendukung.)

Informasi tersebut menyebutkan bahwa hal pertama yang dilakukan adalah membuat garis besar cerita atau sering disebut 'outline'.

Paragraf kedua mengandung informasi "Since visual emphasis is the key to animation, and sound its close counterpart, the sooner ideas are translated into pictures the better." (Karena penekanan visual adalah kunci untuk animasi, dan suara sama pentingnya, semakin cepat ide diterjemahkan ke dalam gambar semakin baik.)

Kalimat tersebut diikuti dengan kata kunci 'storyboard', yang merupakan hasil perwujudan ide menjadi bentuk visual.

Pada paragraf ketiga ditemukan informasi "Meanwhile, an animation director is also preparing modeling drawings for the principal characters and drawings establishing the backgrounds, or settings, for the film." (Sementara itu, seorang sutradara animasi juga sedang mempersiapkan gambar modeling untuk karakter utama dan gambar yang menetapkan latar belakang, atau latar, untuk film tersebut.)

Kata kunci untuk proses selanjutnya adalah membuat 'modeling drawings' atau gambar permodelan.

Pada paragraf terakhir terdapat informasi "When sound tracks, both dialogue and music, are prerecorded, the animators have an exact time scheme to follow; if the tracks are not prerecorded, then the "scoring" of the action will control the subsequent timing of the speech and music at recording stage." (Saat trek suara, baik dialog maupun musik, direkam sebelumnya, para animator memiliki skema waktu yang tepat untuk diikuti; jika trek tidak direkam sebelumnya, maka "musik" gerakan akan mengontrol waktu berikutnya dari dialog dan musik pada tahap perekaman.)

Selain itu, perlu juga perhatikan informasi "A similar control in the form of a time chart may be created by the director as a guide for the composer. A third control, the socalled dope sheet or camera exposure chart, guides the rostrum cameraman in the frame-by-frame setups and sequence of eels or backgrounds." (Kontrol serupa dalam bentuk bagan waktu dapat dibuat oleh sutradara sebagai panduan bagi komposer. Kontrol ketiga, yang disebut dope sheet atau grafik eksposur kamera, memandu juru kamera panggung dalam pengaturan bingkai demi bingkai dan urutan latar belakang.)

Dari informasi tersebut dapat diketahui bahwa tahapan selanjutnya adalah membuat waktu 'musik', grafik waktu, dan grafik eksposur kamera.

Dari penjelasan di atas dapat disimpulkan bahwa tahapan persiapan pembuatan film animasi terdiri dari membuat 'outline' cerita, menerjemahkan 'outline' ke dalam 'storyboard', menyiapkan gambar permodelan, dan membuat waktu 'musik', grafik waktu, dan grafik eksposur kamera.

Jadi, jawaban yang benar adalah B. Making the outline of the story, translating the outline into storyboard, preparing the modeling drawings, and making time 'scoring', time chart, and camera exposure chart.

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